Concept | I redesigned these games to showcase my ability to create realistic sounddesign. I focused on cadence and rhythm, instead of using bigger-than-life soundeffects, and working with pauses, pace and timing.

Concept | The Sword of P has charging capabilities, so it shouldn't sound like any ordinary sword nor like a scifi weapon. The hollow metal hit sound highlights the difficulty to penetrate the enemies armour.

Concept | The aesthetic vision was to create very nuanced and distinctly "lo-fi" sounding sfx for explosions and combat. The interaction with the environment aims instead to be realistic: padded ninja-steps, low-key level interactions to avoid fatigue, and to keep the space clear for sounds that carry information.

Concept | Limiting voice instances and using subtle variations avoid convoluted soundscapes. This is important, since in a game like Nobody Saves The World many events happen simultaneously. Paper Mario features synthesized and cartoonish sounds, with a focus on variety.

Trailer editing & sounddesign